この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/43993
音楽文化教育学研究紀要 25 号
2013-03-22 発行
洋楽普及期における野村光ーの聴衆教育的影響 : 『批評から見た音楽二十年』を中心に
The Pedagogical Inftuence of Koichi Nomura on Audience in Prevailing Period of Classical Music to Japan: Content Analysis of 20 Years of Music in Criticism (Hihyo-kara-mita-ongaku-nijunen)
濟川 貴
Abstract
The purpose of this study was elucidating the characteristic of Koichi Nomura's music criticism and influence on audience (people who accept classical music). Koichi Nomura was a music critic in period of Taisho and Showa era. A part of his criticism appeared in Tokyo Nichinichi Shinbun and Mainichi Shinbun from 1926 to 1943 and those were completed in 20 years of music in criticism (Hihyo-kara-mitaongaku-nijunen ). Analyzing his musical review in this book, it was appeared that his music criticisms had following two characteristics: (1) a viewpoint of his music criticism was conformed with characteristics of musical instruments and playing style, (2) he criticized foreign performer who visited to Japan regarding as a paragon (ideal model) and Japanese performer regarding as a target of encouragement. Findings indicated that his music criticism had an effective on not only developing skills of Japanese performers but also refining large audience's sense of values.
About This Article
Other Article