安本亀八の風俗人形 : 欧米博物館への作品寄贈と財界人 <査読論文>

藝術研究 32 号 1-17 頁 2019-08-01 発行
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タイトル ( jpn )
安本亀八の風俗人形 : 欧米博物館への作品寄贈と財界人 <査読論文>
タイトル ( eng )
Life-sized Figures by Kamehachi Yasumoto as Gifts to Museums by Japanese Entrepreneurs <Articles>
作成者
本田 代志子
収録物名
藝術研究
Annual Review of Hiroshima Society for Science of Arts
32
開始ページ 1
終了ページ 17
収録物識別子
[ISSN] 09149872
[NCID] AN10217323
抄録
In the late 19th century, Japanese collections housed at ethnographic museums in Europe and the USA included life-sized figures exhibiting aspects of Japanese life, in particular, kimonos. Most of these figures were purchased by people visiting Japan at around that time. Six figures can be attributed to Kamehachi Yasumoto III, who learnt realistic representation and simple structure in creating Iki-ningyo from his father. Around 1900, he modified the masks he created to have a neutral, delicate expression and refined the body structure to one that would look better in kimonos. His acknowledgement of contemporary demands provided him a platform to display his figures in international expositions and department stores.
The donation of Yasumoto’s figures to Kelvingrove Museum in Glasgow, UK, and Carnegie Museum in Pittsburgh, USA, indicates that Japanese entrepreneurs were committed to improving the figures representing Japan to correct the false perceptions about their country. Yasumoto was commissioned the figures because of his elegant style and reputation established at the time his father was active in the field. The reserved expression on the faces of his models were perceived positively, resulting in the figures being accepted as museum displays for over 60 years.
内容記述
本研究はJSPS科研費JP18K0062の助成を受けたものです。
言語
日本語
資源タイプ 学術雑誌論文
出版者
広島芸術学会
発行日 2019-08-01
権利情報
Copyright (c) 2019 by Author
出版タイプ Version of Record(出版社版。早期公開を含む)
アクセス権 オープンアクセス
収録物識別子
[ISSN] 0914-9872
[NCID] AN10217323