安本亀八の風俗人形 : 欧米博物館への作品寄贈と財界人 <査読論文>
藝術研究 Issue 32
Page 1-17
published_at 2019-08-01
アクセス数 : 885 件
ダウンロード数 : 840 件
今月のアクセス数 : 4 件
今月のダウンロード数 : 1 件
この文献の参照には次のURLをご利用ください : https://ir.lib.hiroshima-u.ac.jp/00048115
File |
GeijutsuKenkyu_32_1.pdf
1.97 MB
種類 :
fulltext
|
Title ( jpn ) |
安本亀八の風俗人形 : 欧米博物館への作品寄贈と財界人 <査読論文>
|
Title ( eng ) |
Life-sized Figures by Kamehachi Yasumoto as Gifts to Museums by Japanese Entrepreneurs <Articles>
|
Creator |
Honda Yoshiko
|
Source Title |
藝術研究
Annual Review of Hiroshima Society for Science of Arts
|
Issue | 32 |
Start Page | 1 |
End Page | 17 |
Journal Identifire |
[ISSN] 09149872
[NCID] AN10217323
|
Abstract |
In the late 19th century, Japanese collections housed at ethnographic museums in Europe and the USA included life-sized figures exhibiting aspects of Japanese life, in particular, kimonos. Most of these figures were purchased by people visiting Japan at around that time. Six figures can be attributed to Kamehachi Yasumoto III, who learnt realistic representation and simple structure in creating Iki-ningyo from his father. Around 1900, he modified the masks he created to have a neutral, delicate expression and refined the body structure to one that would look better in kimonos. His acknowledgement of contemporary demands provided him a platform to display his figures in international expositions and department stores.
The donation of Yasumoto’s figures to Kelvingrove Museum in Glasgow, UK, and Carnegie Museum in Pittsburgh, USA, indicates that Japanese entrepreneurs were committed to improving the figures representing Japan to correct the false perceptions about their country. Yasumoto was commissioned the figures because of his elegant style and reputation established at the time his father was active in the field. The reserved expression on the faces of his models were perceived positively, resulting in the figures being accepted as museum displays for over 60 years. |
Descriptions |
本研究はJSPS科研費JP18K0062の助成を受けたものです。
|
Language |
jpn
|
Resource Type | journal article |
Publisher |
広島芸術学会
|
Date of Issued | 2019-08-01 |
Rights |
Copyright (c) 2019 by Author
|
Publish Type | Version of Record |
Access Rights | open access |
Source Identifier |
[ISSN] 0914-9872
[NCID] AN10217323
|