洋楽普及期における野村光ーの聴衆教育的影響 : 『批評から見た音楽二十年』を中心に
音楽文化教育学研究紀要 25 号
169-176 頁
2013-03-22 発行
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/43993
ファイル情報(添付) |
MusicCultEduc_25_169.pdf
976 KB
種類 :
全文
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タイトル ( jpn ) |
洋楽普及期における野村光ーの聴衆教育的影響 : 『批評から見た音楽二十年』を中心に
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タイトル ( eng ) |
The Pedagogical Inftuence of Koichi Nomura on Audience in Prevailing Period of Classical Music to Japan: Content Analysis of 20 Years of Music in Criticism (Hihyo-kara-mita-ongaku-nijunen)
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作成者 |
濟川 貴
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収録物名 |
音楽文化教育学研究紀要
Bulletin of music culture education
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号 | 25 |
開始ページ | 169 |
終了ページ | 176 |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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抄録 |
The purpose of this study was elucidating the characteristic of Koichi Nomura's music criticism and influence on audience (people who accept classical music). Koichi Nomura was a music critic in period of Taisho and Showa era. A part of his criticism appeared in Tokyo Nichinichi Shinbun and Mainichi Shinbun from 1926 to 1943 and those were completed in 20 years of music in criticism (Hihyo-kara-mitaongaku-nijunen ). Analyzing his musical review in this book, it was appeared that his music criticisms had following two characteristics: (1) a viewpoint of his music criticism was conformed with characteristics of musical instruments and playing style, (2) he criticized foreign performer who visited to Japan regarding as a paragon (ideal model) and Japanese performer regarding as a target of encouragement. Findings indicated that his music criticism had an effective on not only developing skills of Japanese performers but also refining large audience's sense of values.
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NDC分類 |
音楽 [ 760 ]
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言語 |
日本語
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資源タイプ | 紀要論文 |
出版者 |
広島大学大学院教育学研究科音楽文化教育学講座
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発行日 | 2013-03-22 |
出版タイプ | Version of Record(出版社版。早期公開を含む) |
アクセス権 | オープンアクセス |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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