洋楽普及期における野村光ーの聴衆教育的影響 : 『批評から見た音楽二十年』を中心に

The Pedagogical Inftuence of Koichi Nomura on Audience in Prevailing Period of Classical Music to Japan: Content Analysis of 20 Years of Music in Criticism (Hihyo-kara-mita-ongaku-nijunen)

Sumikawa Takashi

音楽文化教育学研究紀要

Bulletin of music culture education

[ISSN] 1347-0205

[NCID] AA11546850

The purpose of this study was elucidating the characteristic of Koichi Nomura's music criticism and influence on audience (people who accept classical music). Koichi Nomura was a music critic in period of Taisho and Showa era. A part of his criticism appeared in Tokyo Nichinichi Shinbun and Mainichi Shinbun from 1926 to 1943 and those were completed in 20 years of music in criticism (Hihyo-kara-mitaongaku-nijunen ). Analyzing his musical review in this book, it was appeared that his music criticisms had following two characteristics: (1) a viewpoint of his music criticism was conformed with characteristics of musical instruments and playing style, (2) he criticized foreign performer who visited to Japan regarding as a paragon (ideal model) and Japanese performer regarding as a target of encouragement. Findings indicated that his music criticism had an effective on not only developing skills of Japanese performers but also refining large audience's sense of values.

Music [ 760 ]

jpn

広島大学大学院教育学研究科音楽文化教育学講座

[ISSN] 1347-0205

[NCID] AA11546850