Love in Idleness : Michael Brownの喜劇性の意味
広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域 Issue 53
Page 157-161
published_at 2005-03-28
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/18263
| File | |
| Title ( jpn ) |
Love in Idleness : Michael Brownの喜劇性の意味
|
| Title ( eng ) |
Some Meanings of the Comic Character of Michael Brown in Love in Idleness
|
| Creator |
Nakamura Yoshito
|
| Source Title |
広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域
Bulletin of the Graduate School of Education, Hiroshima University. Part. II, Arts and science education
|
| Issue | 53 |
| Start Page | 157 |
| End Page | 161 |
| Abstract |
Love in Idleness is a light comedy written by Terence Rattigan in 1944. It was rewritten drastically before it was performed on the stage. Michael Brown, one of the main characters, whose model is said to be Rattigan himself, was first created as a serious character, but was later changed into a childish villain interfering between John and his mother Olivia. Hence our aim here to examine what his change meant to the work, to the dramatist and also to his writing career.
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| Keywords |
劇
軽い喜劇
真面目な劇
喜劇性
書き換え
drama
light comedy
serious drama
comic character
rewriting
|
| NDC |
English and American literature [ 930 ]
|
| Language |
jpn
|
| Resource Type | departmental bulletin paper |
| Publisher |
広島大学大学院教育学研究科
国立情報学研究所
|
| Date of Issued | 2005-03-28 |
| Publish Type | Version of Record |
| Access Rights | open access |
| Source Identifier |
[ISSN] 1346-5546
[NCID] AA11618725
|
