ひとりの佳き人物であるように : 米芾が「平淡天真」の先に見据えた書境

藝術研究 Issue 36 Page 1-19 published_at 2023-08-31
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Title ( jpn )
ひとりの佳き人物であるように : 米芾が「平淡天真」の先に見据えた書境
Title ( eng )
Mi Fu’s Ideal State: “Each Work Should be Like a Refined Person”
Creator
FUKUMITSU Yu
Source Title
藝術研究
Annual Review of Hiroshima Society for Science of Arts
Issue 36
Start Page 1
End Page 19
Number of Pages 19
Journal Identifire
[ISSN] 09149872
[NCID] AN10217323
Abstract
“平淡天真” is a key phrase in understanding Mi Fu 米芾(1051-1107)’s thought on painting and calligraphy. Previous studies have already made it clear that “天真” is a concept which Mi Fu uses, and which has fixed connotations in many essays on painting. However, neither “平淡” nor “天真” are concepts first proposed by Mi Fu.
This paper attempts to consider the true meaning of “平淡” and “天真,” and to clarify Mi Fu’s ideal state of calligraphy through deciphering his texts.
Through review of sources, this paper shows that the foundation of Mi Fu’s ideas are inherited from Tang Dynasty art theory, but his style of appreciation is different from others in his era. In contrast with Su Shi and Huang Tingjian, who associate the work with the author, and value the author’s personality, Mi Fu makes no mention of the author; on the contrary, he states, “Each work should be like a refined person.”
In conclusion, this paper reveals that Mi Fu’s views on calligraphy are peculiar for the Northern Song dynasty, but that they have influenced the theory of calligraphy since then.
Descriptions
本稿は、広島芸術学会第一三六回例会でおこなった口頭発表(「米芾の鑑賞と制作――『平淡』『天真』『自然』『俗』を例に」)に基づき、加筆、修正をほどこしたものである。
Language
jpn
Resource Type journal article
Publisher
広島芸術学会
Hiroshima Society for Science of Arts
Date of Issued 2023-08-31
Rights
本誌掲載の著作物の著作権は、著者に帰属する。
Publish Type Version of Record
Access Rights open access