アニメーション産業における制作体制と作品内容との関係 : 手塚治虫のアニメーション観を中心として

The Relationship between the Production System and the Content of Works in the Animation Industry: A case study of Osamu Tezuka

一藤 浩隆

広島大学大学院人間社会科学研究科紀要. 教育学研究

Bulletin of the Graduate School of Humanities and Social Sciences, Hiroshima University. Studies in education

[ISSN] 2436-0333

[NCID] AA12909086

The minimum requirement of animation is the continuous display of images. However, some researchers point out that all animation works are not evaluated equally. Therefore, I wondered if there was a qualitative difference among animation works. General animation studies are described without clearly showing the differences, which can create confusion. Based on research on the expression and history of animation in the United States, I focused on three categories: the production system, the media used for presentation, and the content of expression, to demonstrate the differences. In this paper, I demonstrate that this classification is useful for explaining the relationship between animation works and their production environments. This classification is applied to Osamu Tezuka, who is credited with bringing a unique character to Japanese animation. Along with his achievements, Tezuka is accused of causing a negative economic impact on the Japanese animation industry. By analyzing Tezuka’s values and the nature of the Japanese animation industry through this classification, his merits and demerits are identified and discussed. This indicates that the classification system proposed is a useful measure to explain the nature of animation works
more clearly.

animation industry

Osamu Tezuka

classification of animation work

アニメーション産業

手塚治虫

アニメーション作品の分類

日本語

広島大学大学院人間社会科学研究科

Copyright (c) 2021 人間社会科学研究科

[ISSN] 2436-0333

[NCID] AA12909086