学生が主体的に行う演奏会の継続に伴う課題 : 広島大学を事例として

音楽文化教育学研究紀要 Issue 33 Page 39-48 published_at 2021-03-23
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Title ( jpn )
学生が主体的に行う演奏会の継続に伴う課題 : 広島大学を事例として
Title ( eng )
Issues with Continuation of Concerts that Students take the Initiative in: A Case Study of Hiroshima University
Creator
MASUDA Akane
Source Title
音楽文化教育学研究紀要
Bulletin of music culture education
Issue 33
Start Page 39
End Page 48
Journal Identifire
[ISSN] 1347-0205
[NCID] AA11546850
Abstract
Since 2011, students of the Department of Music Education, School of Education, Hiroshima University have been continuously organizing proactive concerts. These concerts comprise advantages such as the ability to perform in small groups and connections that transcend the boundaries of instruments. Conversely, they also engender issues such as a decreased sense of purpose and increased sense of burden in their management. This study aims to clarify issues with continuation of concerts that students take initiative in, explore the factors that caused these issues, as well as obtain suggestions for solving them. The study consists in conducting a questionnaire and an interview survey with the students who participated in the concert, and to analyze the results using methods such as factor analysis. Despite having a positive perspective toward learning and motivation for participation, the students face a sense of challenge in the concert. These challenges could be classified into six categories. The first category concerned bias in instruments and composition, the second regarded a decrease in the number of participants and participating groups. The third lied in the difference in motivation regarding management, difference and balance in workload, time, and burden related to management. The fourth lied in the difference in the sense of purpose among students, the fifth in the ambiguity in the purpose of the concert itself, and the sixth in human relations and hierarchy. It became clear that these factors were related to the diversity of values and experiences, as well as the stereotypical notion of homogeneity. Furthermore, to solve issues, it is necessary for students to recognize that facing the problem-solving process is a part of learning, which is the point at which the characteristics of student-centered concerts can be recognized.
Language
jpn
Resource Type departmental bulletin paper
Publisher
広島大学大学院人間社会科学研究科音楽文化教育学領域
Date of Issued 2021-03-23
Publish Type Version of Record
Access Rights open access
Source Identifier
[ISSN] 1347-0205
[NCID] AA11546850