こだわりの妥協 : 現在日本の商業アニメーションにおける創造性の逆説
広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域 Issue 67
Page 155-162
published_at 2018-12-21
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/46781
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BullGradSchEducHU-Part2_67_155.pdf
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種類 :
fulltext
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Title ( jpn ) |
こだわりの妥協 : 現在日本の商業アニメーションにおける創造性の逆説
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Title ( eng ) |
Compromise and Creativity: Paradoxes in Current Japanese Commercial Animated Films
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Creator |
Ichifuji Hirotaka
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Source Title |
広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域
Bulletin of the Graduate School of Education, Hiroshima University. Part. II, Arts and science education
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Issue | 67 |
Start Page | 155 |
End Page | 162 |
Abstract |
This study investigated threes among the limited animation techniques, which is one characteristic of Japanese commercial animated fi lm. This technique of threes was used to reduce costs or attractiveness in Japanese commercial animated films, but it not sufficiently clear in contemporary examples of threes. A contemporary example of threes was analyzed in The Collection of Uchoten-kazoku Key Animation Art by Toshiyuki Inoue, which is a textbook collecting key frame art for animator training. The results showed that Japanese commercial animated film ranges widely from ones to fours, which is based on threes. The techniques described in the textbook are freely used in a wide range of Japanese commercial animated films. Although this technique began as an attempt to reduce costs. it became a creative characteristic of Japanese commercial animated films.
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Keywords |
animation
anime
Japanese culture
creativity
アニメーション
アニメ
日本文化
創造性
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NDC |
Society [ 360 ]
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Language |
jpn
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Resource Type | departmental bulletin paper |
Publisher |
広島大学大学院教育学研究科
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Date of Issued | 2018-12-21 |
Publish Type | Version of Record |
Access Rights | open access |
Source Identifier |
[ISSN] 1346-5554
[NCID] AA11618725
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