昭和期戦前における印牧季雄の児童舞踊論に関する一考察 : 音楽と動作の関係性に着目して
音楽文化教育学研究紀要 30 号
31-37 頁
2018-03-22 発行
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/46435
ファイル情報(添付) |
MusicCultEduc_30_31.pdf
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種類 :
全文
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タイトル ( jpn ) |
昭和期戦前における印牧季雄の児童舞踊論に関する一考察 : 音楽と動作の関係性に着目して
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タイトル ( eng ) |
Jidobuyo in Sueo Kanemaki’s Writing in the Showa Period before the War: The Relationship between Music and Movement
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作成者 |
戸江 真以
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収録物名 |
音楽文化教育学研究紀要
Bulletin of music culture education
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号 | 30 |
開始ページ | 31 |
終了ページ | 37 |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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抄録 |
“Jidobuyo” is a form of children’s physical expression with music that flourished in Japan from the Taisho period to the Showa period. While “yugi” is dance for children that has been inherited from the Meiji period. The term “jidobuyo” was used instead of “yugi” by Sueo Kanemaki (1899-1983) who was considered a leader in the development of jidobuyo as an institution. Kanemaki placed great importance on the relationship between music and movement, and wrote about the notion in detail, enabling the concept to be examined from a historical perspective. The current study aimed to examine Kanemaki’s theory, focusing on the relationship between music and the movement involved in jidobuyo. The results suggest, this concept was developed at the historical transition of children’s physical expression. Kanemaki’s book, Gakko Buyo Riron yori Sosaku e (“School dance: from theory to practice”) was the main subject of this study. This text was selected for study because it was written after studying abroad, enabling an analysis of the source of Kanemaki’s theories and the process by which the distinctive theory of dance was developed by incorporating foreign conceptions of dance. Specifically, Kanemaki’s statements on the relationship between music and movement were analyzed in detail. This analysis revealed three main findings: Kanemaki’s ideal dance movements involved (1) choreography at the core of music; (2) avoiding enumeration of poses that suggested the meaning of words in music; and (3) expressing the mood of words in music. These viewpoints were historically significant for two reasons. First, Kanemaki’s theory led children’s physical expression to be more artistic and more emotional. Second, this theory played an important role in establishing the pairing of rhythmical movements and music.
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NDC分類 |
音楽 [ 760 ]
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言語 |
日本語
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資源タイプ | 紀要論文 |
出版者 |
広島大学大学院教育学研究科音楽文化教育学講座
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発行日 | 2018-03-22 |
出版タイプ | Version of Record(出版社版。早期公開を含む) |
アクセス権 | オープンアクセス |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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