大木正夫と映画「原爆の図」 : 《交響曲第5番「ヒロシマ」》への軌跡
音楽文化教育学研究紀要 25 号
61-68 頁
2013-03-22 発行
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/43979
ファイル情報(添付) |
MusicCultEduc_25_61.pdf
1.46 MB
種類 :
全文
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タイトル ( jpn ) |
大木正夫と映画「原爆の図」 : 《交響曲第5番「ヒロシマ」》への軌跡
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タイトル ( eng ) |
Masao Ohki and the film "The Hiroshima Panels": Towards his Fifth Symphony "Hiroshima"
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作成者 |
能登原 由美
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収録物名 |
音楽文化教育学研究紀要
Bulletin of music culture education
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号 | 25 |
開始ページ | 61 |
終了ページ | 68 |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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抄録 |
A Japanese composer Masao Ohki (1901-71) wrote his Fifth Symphony subtitled "Hiroshima" in 1953. This symphony expressed The Hiroshima Panels, a series of the collaborative works by Iri and Toshi Maruki. Ohki wrote his music for a documentary film "The Hiroshima Panels" the year before. Considering its musical relevance to his Fifth Symphony, this study reviews his musical conceptions and techniques in the film music with reference to his Fifth Symphony as follows; (1) his musical and social backgrounds, (2) artistic significance of both the panels and the film, and (3) similarities and dissimilarities in his musical techniques. As a result, it could be found that the appearances of things were expressed in similar ways; such as the force of the flames and an ominous silence of the water. On the contrary, the emotional images were expressed in different ways; such as the children in the flame and the bodies of boys and girls. Probably, it should be difficult for him to express the emotions of victims in such a catastrophe mainly because he was not a victim by the atomic bomb himself.
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NDC分類 |
音楽 [ 760 ]
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言語 |
日本語
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資源タイプ | 紀要論文 |
出版者 |
広島大学大学院教育学研究科音楽文化教育学講座
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発行日 | 2013-03-22 |
出版タイプ | Version of Record(出版社版。早期公開を含む) |
アクセス権 | オープンアクセス |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
|