山本壽の唱歌劇に関する研究
音楽文化教育学研究紀要 27 号
87-95 頁
2015-03-20 発行
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/36950
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MusicCultEduc_27_87.pdf
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全文
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タイトル ( jpn ) |
山本壽の唱歌劇に関する研究
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タイトル ( eng ) |
School-Song Dramas of Hisashi Yamamoto
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作成者 |
升田 真依子
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収録物名 |
音楽文化教育学研究紀要
Bulletin of music culture education
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号 | 27 |
開始ページ | 87 |
終了ページ | 95 |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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抄録 |
Musicals are popular in Japanese schools today, but many people believe that most musicals are simply held for exhibition purposes. I aimed to investigate the purpose and origins of musicals in Japanese schools. I was interested in school-song dramas, and this study aimed to examine Hisashi Yamamoto’s views on the subject. School-song dramas were originally developed by Yamamoto and Kuniyoshi Azisaka in the Taisho period and were performed at the school arts festival of elementary school attached to a Hiroshima teachers college. Yamamoto came up with the name “school-song drama” and he composed many songs for it. This dramatic form developed under Yamamoto’s guidance. Through examining Yamamoto’s descriptions about school-song drama, it became evident that its purpose was to cultivate children’s minds. Yamamoto emphasized an appreciation of school-song dramas rather than actually taking part in them. He performed school-song dramas as a way of cultivating aesthetic sensitivity: he did not expect children to improve their musical skills in the process. School-song dramas reflect both Yamamoto’s views about education and trends in education and society in his day.
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NDC分類 |
教育 [ 370 ]
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言語 |
日本語
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資源タイプ | 紀要論文 |
出版者 |
広島大学大学院教育学研究科音楽文化教育学講座
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発行日 | 2015-03-20 |
出版タイプ | Version of Record(出版社版。早期公開を含む) |
アクセス権 | オープンアクセス |
収録物識別子 |
[ISSN] 1347-0205
[NCID] AA11546850
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