川端康成の「掌の小説」の詩学 : 〈短さ〉の考察を通して <査読論文>

藝術研究 26 号 29-43 頁 2013-07-12 発行
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タイトル ( jpn )
川端康成の「掌の小説」の詩学 : 〈短さ〉の考察を通して <査読論文>
タイトル ( eng )
Research on the poetics of Yasunari Kawabata's Palm-of-the-Hand Stories through a study of its shortness <Aritcle>
作成者
Hai Khoi Nguyen Luong
収録物名
藝術研究
Annual Review of Hiroshima Society for Science of Arts
26
開始ページ 29
終了ページ 43
収録物識別子
[ISSN] 09149872
[NCID] AN10217323
抄録
This paper concerns to creative principle of Yasunari Kawabata’s “Palm-of-the-Hand Stories", an extreme short form of short story. There have been many directions of research on this genre such as study of its stylistics, classification of its content tendencies, biographical critical approach, etc. However, scholars paid less attention to artistic principle hidden behind the shortness of this form. This study aims to address the following issues: why did Kawabata choose the extreme short form, how did he theoretically deal with this extreme shortness, what techniques he used to handle this shortness. In order to do so, it puts this genre in the historical context-the Neo Sensualism school, examines some Kawabata’s main essays on the principles of “Palmof-the-Hand Stories”from the late Taisho era to the early Showa era and analyzes some typical works to disclose the essence of his creativity. The main argument of this research is that the shortness of this genre is not only a “form” but also a kind of “expression” in itself. In its poetics, there is a combination between the aesthetics of Japanese traditional short poetry such as Haiku, Tanka and Western modernist aesthetics such as B. Croce’s theory on intuition and expression in art.
NDC分類
日本文学 [ 910 ]
言語
日本語
資源タイプ 学術雑誌論文
出版者
広島芸術学会
発行日 2013-07-12
権利情報
Copyright (c) 2013 by Author
出版タイプ Version of Record(出版社版。早期公開を含む)
アクセス権 オープンアクセス
収録物識別子
[ISSN] 0914-9872
[NCID] AN10217323