楽譜出版における献呈の役割 : 16世紀後半のイングランドに視点をおいて

Functions of the Dedication of the Printed Music Book : focusing on the music book published in late 16th-century England

Notohara Yumi

広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域

Bulletin of the Graduate School of Education, Hiroshima University. Part. II, Arts and science education

The purpose of this paper is to examine how music dedication functioned in the patronage, or the relationship between the dedicator and the dedicatee, in late 16`h -century England. The dedicatory words usually stated that the music book would be dedicated to the dedicatee in return for some kinds of benefits offered to the dedicator. From this point of view, music dedication might be regarded as an obligation for the musician to provide music for the patron. Through an investigation of the dedicated music books, however, the author asserts that the actual functions of music dedication were more complicated. The most important fact to note is that the dedication of published music books was not only intended for the dedicatee, but also for their "readers". This type of dedication, therefore, must be differentiated from the older form of patronage, where the musician provided works and performances only by request of the patron.

楽譜献呈

音楽パトロネージ

楽譜の印刷・出版

16世紀

イングランド

Music dedication

Music patronage

Music printing and publishing

16^<th>-century

England

Music [ 760 ]

jpn

広島大学大学院教育学研究科

国立情報学研究所

[ISSN] 1346-5546

[NCID] AA11618725