指鬘と鬘、華鬘
アジア社会文化研究 Issue 20
Page 25-42
published_at 2019-03-31
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この文献の参照には次のURLをご利用ください : https://doi.org/10.15027/47471
| File | |
| Title ( jpn ) |
指鬘と鬘、華鬘
|
| Title ( eng ) |
Aṅgulimāla and “mala”
|
| Creator |
Gui Hong
|
| Source Title |
アジア社会文化研究
The journal of social and cultural studies on Asia
|
| Issue | 20 |
| Start Page | 25 |
| End Page | 42 |
| Journal Identifire |
[PISSN] 1346-1567
[NCID] AA11472506
|
| Abstract |
The Chinese word “zhiman 指鬘” means a wreath or necklace(鬘) made of fingers (shouzhi 手指). It is disturbing to imagine the shape of a zhiman, which is a translated word from Chinese. Aṅgulimāla, the bloodthirsty killer who appears in the biography of the Buddha, wore a zhiman as an ornament. For centuries, the story of Aṅgulimāla, who was at last transformed by Buddhist austerities from a bloodthirsty killer into a Buddhist have received much attention. The story also had a significant influence on Buddhism missionary work in China. In this paper, we will not discuss the story of Aṅgulimāla. Instead, we discuss the new concepts of those Chinese words, such as “鬘,” “摩羅,” “魔,” “末利,” and “茉莉,” from a linguistic angle, which changed during the translation history of Buddhism.
|
| Descriptions |
本研究は、広島大学敦煌学プロジェクト研究センターのグループで行っている調査研究の一環である。
|
| Language |
jpn
|
| Resource Type | departmental bulletin paper |
| Publisher |
アジア社会文化研究会
|
| Date of Issued | 2019-03-31 |
| Publish Type | Version of Record |
| Access Rights | open access |
| Source Identifier |
[ISSN] 1346-1567
[NCID] AA11472506
|
