アダプテーションと〈文化の盗用〉 : 寺山修司『草迷宮』とヴァレンティノのＣＭ炎上をめぐって

Adaptation and Cultural Appropriation: About Kusa-Meikyu Directed by Shuji Terayama and Valentino’s Commercials

YABUKI Ayano

表現技術研究

Bulletin of the Research Center for the Technique of Representation

[NCID] AA12016400

Cultural appropriation occurs when individuals from one cultural background appropriate elements of another culture. In the context of adaptation, the process of integrating and transforming one work into a new creation is often viewed favorably. However, the introduction of the perspective of cultural appropriation does not always draw positive evaluations. If adaptation is perceived as a form of cultural appropriation, there are instances where it should be stopped. So, is there anything that separates adaptation from cultural appropriation? This article delves into the cultural appropriation discourse sparked by Valentino’s web commercial, which was an adaptation of Shuji Terayama’s film Kusa-meikyu (Grass Labyrinth) (1979). The conclusion highlights the interplay between interpreting a work as an adaptation and interpreting it as a form of cultural appropriation.

Movie

Ethics of Art

Social Media

Feminism

jpn

広島大学表現技術プロジェクト研究センター

科学技術振興機構

Japan Science and Technology Agency

広島大学創発的 次世代 研究者育成・支援プログラム

広島大学創発的 次世代 研究者育成・支援プログラム

JPMJSP2132