鲁迅与日本戏剧 : 以《女吊》与《牡丹灯笼》《四谷怪谈》为例
Hiroshima interdisciplinary studies in the humanities Volume 18
Page 12-16
published_at 2023-03-31
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| File | |
| Title ( zho ) |
鲁迅与日本戏剧 : 以《女吊》与《牡丹灯笼》《四谷怪谈》为例
|
| Title ( eng ) |
Lu Xun's Destiny in Japanese Drama: Take "Female Hanging", "Peony Lantern", and "Fantastic Tan" as examples
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| Creator |
WANG Mingrui
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| Source Title |
Hiroshima interdisciplinary studies in the humanities
|
| Volume | 18 |
| Start Page | 12 |
| End Page | 16 |
| Number of Pages | 5 |
| Journal Identifire |
[PISSN] 1347-5592
[NCID] AA11747932
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| Abstract |
鲁迅在仙台看戏的经历对非常重要，他在与池田幸子的对话中提到《牡丹灯笼》和《四谷怪谈》这两部歌舞伎剧。与此同时，鲁迅也向池田幸子说起了自己刚完成的文章《女吊》。属于绍兴大戏的《女吊》与歌舞伎剧都有“傩戏”痕迹。《牡丹灯笼》和《四谷怪谈》表现出轻说教重情感的幽玄特质，与鲁迅的反叛精神有诸多对话之处。
Lu Xun’s experience of watching theaters in Sendai is very important. Lu Xun mentioned two kabuki dramas, "Peony Lantern" and "Yotoku Kaidan" in the dialogue with Ikeda Yukiko. At the same time, Lu Xun also told Ikeda Sachiko about his newly completed article "Female Hanging". Both "The Hanging Girl" and the Kabuki drama that belong to the Shaoxing drama have traces of "Nuo Opera". "The Peony Lantern" and "The Strange Story of Four Valleys" show the mysterious characteristics of neglecting preaching and emphasizing emotion, and they have many dialogues with Lu Xun's rebellious spirit.
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| Keywords |
《女吊》
傩戏
《牡丹灯笼》
《四谷怪谈》
"Female Hanging"
Nuo Opera
"Peony Lantern"
"Funny Story of Four Valleys"
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| Language |
zho
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| Resource Type | departmental bulletin paper |
| Publisher |
The Department of Integrated Humanities, Graduate School of Humanities and Social Sciences, Hiroshima University
The Graduate School of Letters, Hiroshima University
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| Date of Issued | 2023-03-31 |
| Publish Type | Version of Record |
| Access Rights | open access |
