井島勉の書道観とその問題点

藝術研究 Issue 34 Page 17-31 published_at 2021-09-01
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Title ( jpn )
井島勉の書道観とその問題点
Title ( eng )
Tsutomu Ijima’s View of Calligraphy and Its Problems
Creator
HAYASHI Jun
Source Title
藝術研究
Annual Review of Hiroshima Society for Science of Arts
Issue 34
Start Page 17
End Page 31
Journal Identifire
[ISSN] 09149872
[NCID] AN10217323
Abstract
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy that developed after World War II, but there has been no study that covers his claims in detail. Through the production of calligraphic works supported by Ijima’s claims, his influence has reached the present day. The purpose of this paper is to provide a new angle on how to evaluate postwar calligraphic works by closely examining Ijima’s views on calligraphy.
In addition to books published by Ijima, I have focused on his other writings, especially those published in calligraphy journals, as well as conversations. I collected as many of his statements as possible, organized and examined them to clarify his views on calligraphy, and explored other related issues.
As a result, I found that the bias in Ijima’s thinking toward traditional art had an impact on his view of calligraphy. This paper does not diminish Ijima’s reputation as an aesthete, but it does provide an important perspective for our future evaluation of calligraphic works produced using traditional methods.
Language
jpn
Resource Type journal article
Publisher
広島芸術学会
Date of Issued 2021-09-01
Rights
Copyright (c) 2021 by Author
Publish Type Version of Record
Access Rights open access
Source Identifier
[ISSN] 0914-9872
[NCID] AN10217323