井島勉の書道観とその問題点
藝術研究 Issue 34
Page 17-31
published_at 2021-09-01
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File | |
Title ( jpn ) |
井島勉の書道観とその問題点
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Title ( eng ) |
Tsutomu Ijima’s View of Calligraphy and Its Problems
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Creator |
HAYASHI Jun
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Source Title |
藝術研究
Annual Review of Hiroshima Society for Science of Arts
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Issue | 34 |
Start Page | 17 |
End Page | 31 |
Journal Identifire |
[ISSN] 09149872
[NCID] AN10217323
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Abstract |
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy that developed after World War II, but there has been no study that covers his claims in detail. Through the production of calligraphic works supported by Ijima’s claims, his influence has reached the present day. The purpose of this paper is to provide a new angle on how to evaluate postwar calligraphic works by closely examining Ijima’s views on calligraphy.
In addition to books published by Ijima, I have focused on his other writings, especially those published in calligraphy journals, as well as conversations. I collected as many of his statements as possible, organized and examined them to clarify his views on calligraphy, and explored other related issues. As a result, I found that the bias in Ijima’s thinking toward traditional art had an impact on his view of calligraphy. This paper does not diminish Ijima’s reputation as an aesthete, but it does provide an important perspective for our future evaluation of calligraphic works produced using traditional methods. |
Language |
jpn
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Resource Type | journal article |
Publisher |
広島芸術学会
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Date of Issued | 2021-09-01 |
Rights |
Copyright (c) 2021 by Author
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Publish Type | Version of Record |
Access Rights | open access |
Source Identifier |
[ISSN] 0914-9872
[NCID] AN10217323
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