心身療法「岡田式静坐法」の身体美学に関する一考察 : 天地との調和・統一を表象する重心運動との身体的一致の観点から <査読論文>
藝術研究 Issue 31
Page 35-52
published_at 2018-07-27
アクセス数 : 1498 件
ダウンロード数 : 194 件
今月のアクセス数 : 11 件
今月のダウンロード数 : 2 件
この文献の参照には次のURLをご利用ください : https://ir.lib.hiroshima-u.ac.jp/00046559
File |
GeijutsuKenkyu_31_35.pdf
741 KB
種類 :
fulltext
|
Title ( jpn ) |
心身療法「岡田式静坐法」の身体美学に関する一考察 : 天地との調和・統一を表象する重心運動との身体的一致の観点から <査読論文>
|
Title ( eng ) |
A Study of the Body Aesthetics through a Therapy for Healing the Body and Mind, the Okada Sitting Method: From the Perspective of Physical Homologization with Center-of-Mass Motion Representing Self Harmony with the Universe <Articles>
|
Creator |
Katayama Toshihiro
|
Source Title |
藝術研究
Annual Review of Hiroshima Society for Science of Arts
|
Issue | 31 |
Start Page | 35 |
End Page | 52 |
Journal Identifire |
[ISSN] 09149872
[NCID] AN10217323
|
Abstract |
A unique sitting form called the Okada Sitting Method (OSM) was created in the Meiji period. It is practiced by sitting on one's heels when sitting on the ground, like Seiza. Although it is a seemingly painful form, it was popularized as a therapy for healing the body and mind in the Taisy6 period. OSM was a body technique that made full use of the laws of motion like a balancing toy. Namely, it puts one's weight straight down to the Earth and enhances the movement flying towards heaven through the physical law of the reaction to it. Practitioners had a sense that this Rebound Movement was exerted beyond the scale of self by gravity that works between heaven and Earth. They also felt that this movement was derived from the upward and downward motion of the heat beat by breathing; thus, they felt as though they could wholly reconcile themselves with the universe. Moreover, they could obtain, as an integrated movement, a sense of flying, euphoria, and stability or composure, which were the two measured elements for deep satisfaction of body and mind. OSM gave practitioners deep healing in both body and mind.
|
NDC |
The arts. Fine arts [ 700 ]
|
Language |
jpn
|
Resource Type | journal article |
Publisher |
広島芸術学会
|
Date of Issued | 2018-07-27 |
Rights |
Copyright (c) 2018 by Author
|
Publish Type | Version of Record |
Access Rights | open access |
Source Identifier |
[ISSN] 0914-9872
[NCID] AN10217323
|
Remark | 誤記訂正のため、最終ページに正誤表を追加(2019年2月19日) |