WALTER ABISH AND HIS LITERARY ARTS
PSYART: Analyses of Cultural Productions: Papers of 30th Conference of Psyart Porto, 2013
Page 115-127
published_at 2014-08-01
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Title ( eng ) |
WALTER ABISH AND HIS LITERARY ARTS
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Creator | |
Source Title |
PSYART: Analyses of Cultural Productions: Papers of 30th Conference of Psyart Porto, 2013
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Start Page | 115 |
End Page | 127 |
Abstract |
Like many other writers, Walter Abish first tries out his literary style in short stories and then develops it in a longer work of fiction. This paper first demonstrates his original literary art in his five long works - Alphabetical Africa, How German Is It, 99: The New Meaning, Eclipse Fever, and Double Vision - and then discusses the characteristics commonly found in his different styles of fiction. Some of these characteristics are similar to what Postmodern thinkers such as Jean-François Lyotard and Frederic Jameson proclaim; however, Abish's liberal humanism, with his social and moral concerns, should instead be identified with what Theodor Adorno, Emmanuel Levinas, Jacques Derrida and Terry Eagleton, philosophers profoundly influenced by the Holocaust, maintain. Though Abish's Jewish experience during World War II and just afterwards seems to function only as the material to produce an innovative fiction, its influence may well be recognized in the backbone of his writing.
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Descriptions |
30th International Conference on Psychology and the Arts, at the University of Porto, Portugal, June 26-30, 2013
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NDC |
English and American literature [ 930 ]
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Language |
eng
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Resource Type | conference paper |
Publisher |
i2ADS
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Date of Issued | 2014-08-01 |
Rights |
author
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Publish Type | Version of Record |
Access Rights | open access |
Source Identifier |
[ISBN] 978-989-98745-2-7
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