Hiroshima interdisciplinary studies in the humanities 19 巻
2024-03-31 発行

宋元的貨郎(“常賣”)與書畫交易

The Role of Salesmen in the Calligraphy and Painting Trade during the Song and Yuan Dynasties
黃 曉霞
劉 正平
全文
1.19 MB
HISH_19_61.pdf
Abstract
The collection and trading market of calligraphy and painting in the Song Dynasty was relatively developed. This study aims to understand the role of painting establishments and painting academies in the creation and exchange of calligraphy and painting through an investigation of the entities that contributed to the painting market during this period. The article has searched and collected historical materials, poems, notes, painting theories, and other relevant materials from the Song Dynasty. Through the analysis of typical cases involving painting establishments and painting academies, it was found that in the Song Dynasty, the painting market was centered around these institutions, connecting painting artists, nobles, regular sellers, and market merchants to facilitate the trading and dissemination of calligraphy and painting. The prosperity of painting and calligraphy in the Song Dynasty was closely tied to the development of painting premises and painting academies. This article specifically focuses on the investigation of painting houses and the assessment system of painting academies, which played a significant role in promoting the trade of calligraphy and painting. Additionally, it examines the emergence of the "often sell" group in the middleman role of the calligraphy and painting trade during the Song Dynasty, which was distinct from the "tooth". This occupation made a substantial contribution to the circulation and prosperity of the calligraphy and painting market in the Song Dynasty.
内容記述
本文系2019年度國家社科基金冷門“絕學”和國別史等研究專項專案《中國古代經坊研究》的階段性成果,批准號:19VJX090。
著者キーワード
Painting studio
painting workshop
painting market
Song Dynasty