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Volume 68
( 2024-03-20 )
Volume 67
( 2023-03-30 )
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( 2022-03-30 )
Volume 65
( 2021-03-30 )
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( 2020-03-30 )
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( 2019-03-30 )
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( 2018-03-30 )
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( 2017-03-30 )
Volume 60
( 2016-03-30 )
Volume 59
( 2015-03-30 )
Volume 58
( 2014-03-30 )
Volume 57
( 2013-03-30 )
Volume 56
( 2012-03-20 )
Volume 55
( 2011-03-30 )
Volume 54
( 2010-03-20 )
Volume 53
( 2009-03-30 )
Volume 42
( 1997-03-30 )
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Hiroshima studies in English language and literature
Volume 68
Date of Issue:2024-03-20
current number
ISSN
:
0288-2876
Publisher
:
The English Literary Association of Hiroshima University
Articles
Tim O’Brien’s My Lai
Nomura Koki
PP. 1 - 15
三峡ダム建設をめぐる二つのドキュメンタリー映画にみる「他者」の声 : 『 秉愛』とUp the Yangtze
Voices of “Others” in Two Documentary Films on the Construction of the Three Gorges Dam: 『秉愛』and Up the Yangtze
Kishino Hidemi
Araki Yoko
PP. 17 - 30
English Literature and Music/Musicality
イギリス中世演劇とシェイクスピア作品におけるクライマックスの音楽
Musical Functions in the Climax of Medieval and Shakespeare’s Plays
Tomimura Noritaka
PP. 31 - 45
ドライデンの頌歌「アレクサンダー大王の饗宴,または音楽の力」 における詩と音楽の分裂
The Dissociation of Poetry and Music in Dryden’s Ode, ‘Alexander’s Feast or, The Power of Music’
Yoshinaka Takashi
PP. 47 - 63
さらに歌い継がれるキーツの「つれなき美女」 : 合唱曲に翻案された事例とその意義
Regeneration of John Keats’ “La Belle Dame sans Merci” by Charles Hubert Parry
Kobayashi Hidemi
PP. 65 - 74
ジョイスの音楽 : Ulysses 第11挿話における「フーガの技法」と オノマトペについて
Joycean Music: The “Technic of Fugue” and Onomatopoeia in Episode 11 of Ulysses
Doki Kazuhiro
PP. 75 - 87
Graduate Reports
A Stylistic Analysis on Speech and Thought Representation in Oliver Twist: With Special Reference to NRSA, NV, NRTA, and NI
Li Yimin
PP. 89 - 90
Toni Morrison’s Beloved and Colson Whitehead’s The Underground Railroad: The Trajectory of the Neo-Slave Narrative
Michimoto Minami
PP. 91 - 92
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