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ID 44301
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Performances of French Tragédie Lyrique at the Sheremetev Serf Theater (1775-1797): How Renaud by Sacchini was Performed in the Russian Language <Articles>
著者
森本 頼子
NDC
音楽
抄録(英)
The Sheremetev Serf Theater (1775-1797), managed mainly by Count Nikolai Petrovich Sheremetev (1751-1809), was the only Russian theater that imported and performed the French operatic genre tragédie lyrique. This genre was never staged in any other Russian theater (not even the court theater). This paper aims to present how Renaud by A. Sacchini was performed at the Sheremetev Theater between 1788 and 1792, focusing on the Russian translation of the French text, which was a characteristic feature of performances held at this theater.
The entire text of Renaud was translated into Russian with significant difficulties. It was inferred that Nikolai aimed to introduce the performance of serious opera in Russian by staging Renaud. In fact, he produced and performed the Russian opera Zelmira and Smelon, or the Capture of Izmail in 1795. The performance of tragédie lyrique Renaud revealed the Sheremetev Serf Theater as an "opera theater" capable of creative performances of full-scale opera. In addition, the circumstances suggest that serf theaters in the late 18th century played an important role in that they cultivated a rich operatic culture in Russia.
内容記述
本論文は、財団法人日東学術振興財団第二七回(平成二二年度)海外渡航助成による研究成果の一部である。
掲載誌名
藝術研究
27号
開始ページ
33
終了ページ
48
出版年月日
2014-07-24
出版者
広島芸術学会
ISSN
0914-9872
NCID
言語
日本語
NII資源タイプ
学術雑誌論文
広大資料タイプ
学術雑誌論文
DCMIタイプ
text
フォーマット
application/pdf
著者版フラグ
publisher
権利情報
Copyright (c) 2014 by Author
部局名
総合科学研究科
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