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The Analysis of an Appreciation of Sculpture and Its Aesthetic Distinctiveness: By Using Wollheim’s“ Seeing-in” Theory <Articles>
著者
兼内 伸之介
抄録(英)
In this paper, I discuss about the aesthetics of sculpture by using “Seeing-in” theory that is advocated by Richard Wollheim (1923-2003). He emphasized that the features of perceptive sense are important for us to explain the aesthetic experience of picture. Philosophers often refer to not only representational content, but actual three-dimensional space, when disputing about distinctive aesthetic properties of sculpture, so it is suitable to apply this theory to sculpture. However how do we evaluate this relationship in appreciating sculpture? I tackle this question comparing the aesthetic experience of a pictorial and sculptural work.
It is obvious that appreciators’ actual point of view is relevant to aesthetic experience of them, however there are clear difference in those. In order to clarify this difference, I suggest two ways. Firstly, I compare with the experience of picture and sculpture by analyzing the relationship with representational content and actual three-dimensional space. Secondly, I compare with the visual deception of trompe-l'oeil and visual perception of sculpture. Through this consideration, I provide a way to investigate the distinctive aesthetic properties of sculpture.
内容記述
本稿は、日本学術振興会、特別研究員奨励費(18J14093)と平成三〇年度学生独自プロジェクト(広島大学大学院総合科学研究科)の助成を受けた成果である。
掲載誌名
藝術研究
32号
開始ページ
39
終了ページ
54
出版年月日
2019-08-01
出版者
広島芸術学会
ISSN
0914-9872
NCID
言語
日本語
NII資源タイプ
学術雑誌論文
広大資料タイプ
学術雑誌論文
DCMIタイプ
text
フォーマット
application/pdf
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権利情報
Copyright (c) 2019 by Author
部局名
総合科学研究科
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