S. Donaudy "36 Arie di stile antico" 研究 Ⅲ : オペラ作品との関わりを視点として
この文献の参照には次のURLをご利用ください : http://doi.org/10.15027/22797
ID | 22797 |
本文ファイル | |
別タイトル | A Study on S. Donaudy "36 Arie di stile antico" III : Regarding his operatic works
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著者 | |
キーワード | S. Donaudy
36 Arie di stile antico
opera
S. ドナウディ
古典様式による36の歌曲集
オペラ
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NDC |
教育
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抄録(英) | I have examined S. Donaudy's (1879-1925) "36 Arie di stile antico" from various perspectives to analyze the music and content, and shed light upon his unique style and musical phraseology. I find it deeply interesting that, although S. Donaudy has become widely known and received in Japan, his work has garnered little interest in Western countries; there is almost no research into historical documentation regarding his life or music. As a musician, I am determined to research S. Donaudy's music from a variety of angles to uncover and study his intentions by using his musical notes. In this paper, I introduce the content of "SPERDUTI NEL BUIO" (1907), the fourth of S. Donaudy's six operatic works, which are already out of print. One peculiarity is that S. Donaudy's younger brother, A. Donaudy (1880-1941), who was in charge of the text, added an enormous volume of stage direction throughout the opera. This is extremely interesting, since it reveals a common trait shared with the composer S. Donaudy, who demanded a large amount of direction in the music. I believe that performers of this opera are required to use this massive volume of information to accurately reproduce the work, while also adding their own musical interpretation.
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掲載誌名 |
広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域
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号 | 56号
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開始ページ | 323
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終了ページ | 327
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出版年月日 | 2007-12-28
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出版者 | 広島大学大学院教育学研究科
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ISSN | 1346-5554
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NCID | |
SelfDOI | |
言語 |
日本語
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NII資源タイプ |
紀要論文
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広大資料タイプ |
学内刊行物(紀要等)
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DCMIタイプ | text
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フォーマット | application/pdf
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著者版フラグ | publisher
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部局名 |
教育学研究科
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他の一覧 |