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ID 44310
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Pseudo-classicism on Fujiwara no Tameie and Sustainability of Medieval Waka Poetry <Articles>
creator
Tsuchida, Kosuke
NDC
Japanese literature
abstract
Waka poetry had a history of approximately 700 years from the latter half of the eighth century when Man'yo shu was completed to the middle of the fifteenth century when Shinshoku-kokin waka shu, the last official anthology by the imperial order, was compiled. Moreover, waka was kept alive until the early modern era.
The reason for such sustainability can be found in classicism in medieval waka, established by FUJIWARA no Tameie (1198-1275). Tameie developed a method of reusing old poetry and fixed the compositional idea of mezurashi. He valued the method called koka wo toru, which means reusing old words without representing the content composed in the old poem, and found an unexpectedness on construction of old words.
In the contemporary research on waka, Tameie's classicism is often regarded as "pseudo-classicism" and despised in terms of creative value attached to the composition. From the viewpoint of collective composition, however, the pseudo-classic aspects have the significance of extending poetic construction by constantly renewing the distribution of hackneyed phrases. Tameie's pseudo-classicism enabled waka poetry to be a sustainable system.
journal title
Annual Review of Hiroshima Society for Science of Arts
issue
Issue 29
start page
1
end page
16
date of issued
2016-07-15
publisher
広島芸術学会
issn
0914-9872
ncid
language
jpn
nii type
Journal Article
HU type
Journal Articles
DCMI type
text
format
application/pdf
text version
publisher
rights
Copyright (c) 2016 by Author
department
Graduate School of Integrated Arts and Sciences
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