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ID 44301
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title alternative
Performances of French Tragédie Lyrique at the Sheremetev Serf Theater (1775-1797): How Renaud by Sacchini was Performed in the Russian Language <Articles>
creator
Morimoto, Yoriko
NDC
Music
abstract
The Sheremetev Serf Theater (1775-1797), managed mainly by Count Nikolai Petrovich Sheremetev (1751-1809), was the only Russian theater that imported and performed the French operatic genre tragédie lyrique. This genre was never staged in any other Russian theater (not even the court theater). This paper aims to present how Renaud by A. Sacchini was performed at the Sheremetev Theater between 1788 and 1792, focusing on the Russian translation of the French text, which was a characteristic feature of performances held at this theater.
The entire text of Renaud was translated into Russian with significant difficulties. It was inferred that Nikolai aimed to introduce the performance of serious opera in Russian by staging Renaud. In fact, he produced and performed the Russian opera Zelmira and Smelon, or the Capture of Izmail in 1795. The performance of tragédie lyrique Renaud revealed the Sheremetev Serf Theater as an "opera theater" capable of creative performances of full-scale opera. In addition, the circumstances suggest that serf theaters in the late 18th century played an important role in that they cultivated a rich operatic culture in Russia.
description
本論文は、財団法人日東学術振興財団第二七回(平成二二年度)海外渡航助成による研究成果の一部である。
journal title
Annual Review of Hiroshima Society for Science of Arts
issue
Issue 27
start page
33
end page
48
date of issued
2014-07-24
publisher
広島芸術学会
issn
0914-9872
ncid
language
jpn
nii type
Journal Article
HU type
Journal Articles
DCMI type
text
format
application/pdf
text version
publisher
rights
Copyright (c) 2014 by Author
department
Graduate School of Integrated Arts and Sciences
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