This is the second article in my series of the development of the theory of aesthetic education. It aims to clarify the position of sensation and sensitivity in sensibility, as a viewpoint of aesthetic education. (1) The argument about the concept of sensibility in aesthetics was critically reviewed. (2) A genealogy of the education of the senses was followed through William Boyd's From Locke to Montessori: A Critical Account of the Montessori Point of View (1914). (3) Learning from Bergson's Le rire (1900), the possibility of laughter as a stimulus to sensitivity for school education was considered in rakugo or the traditional Japanese comic storytelling.