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ID 16225
file
title alternative
A study concerning piano works of Debussy (I)
creator
Okano, Setsuko
subject
印象主義
色彩
ソフトペダル
Impreessionism
tint
soft pedal
NDC
Music
abstract
The piano works of Claude Achille Debussy (1862-1918) as well as the works of Beethoven, Schumann, Chopin, Liszt constitute an important repertoire for the pianists. What is common among their works would be that they were composed in consideration for almost all the functions of pianos that had been improved by leaps and bounds since the latter half of the eighteenth century. Debussy is generally called an "impressionist" composer. As everyone knows, this word as well as "baroque" is a historical word of music borrowed from the history of art. Therefore, it is needless to say that having knowledge about impressionist painters is necessary in playing the piano works of Debussy. Then I wonder what kind of relationship there is between them. I wonder what it is like if there is a relationship. It is the purpose of this article to give a concrete consideration on the way of playing the piano, taking up his piano works in order to approach these tasks. Piano techniques were used to create a certain definite "form" to perfection with melody and vigor in the piano works of Beethoven, Schumann, Chopin, Liszt whereas in those of Debussy, it can be said that they were used to show, so to speak, "impressionistic" expressive spirit, representing a world of sound whose "form" is vague. One of the great features is seen in the use of soft pedal.
journal title
Bulletin of the Graduate School of Education, Hiroshima University. Part. II, Arts and science education
issue
Issue 51
start page
483
end page
490
date of issued
2003-03-28
publisher
広島大学大学院教育学研究科
国立情報学研究所
issn
1346-5554
ncid
SelfDOI
language
jpn
nii type
Departmental Bulletin Paper
HU type
Departmental Bulletin Papers
DCMI type
text
format
application/pdf
text version
publisher
department
Graduate School of Education
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