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ID 26070
file
title alternative
Victory or Defeat and "Bugaku" -Winner's Dance- of the Match Ceremony in the Ceremony Books in the Heian Era
creator
Yamamoto, Kana
subject
Sumai
"Noriyumi"
"Kurabeuma"
"Bugaku" -winner's dance
ceremony
相撲
賭弓
競馬
勝負楽
儀礼
NDC
General history of Japan
abstract
In three match ceremony like the "Sumai" (相撲) and "Noriyumi" (賭弓) and "Kurabeuma" (競馬), done in the court of the Heian era, "Bugaku" (舞楽) -winner's dance- (勝負楽) was played by Konoehu (近衛府) according to victory. I considered "Bugaku" -winner's dance- in the ceremony books in this study. The "Bugaku" -winner's dance- of the left in the "Sumai" ceremony has been assumed to played "Ryouou"(「陵王」) until the end of ninth century, "Batou" (「抜頭」) after that so far. However, "Bugaku" -winner's dance- wasn't "Ryouou", but "Batou" at the "Sumai" ceremony from the bigining. "Bugaku" -winner's dance- of the right was "Nasori". There were two kinds of "Bugaku" -winner's dance-. One was played by the winner of "Hote"(最手). Another was played by the winner side in the total score. The left played "Ryouou", the right played "Nasori" in the "Noriyumi" and "Kurabeuma" according to total score. There was a great difference in the method of the "Bugaku" -winner's dance- at these three match ceremony between the ninth century and tenth century. This change is related to a big problem like the conversion of ceremony, and the ideal way of the state.
journal title
Bulletin of the Graduate School of Education, Hiroshima University. Part. II, Arts and science education
issue
Issue 57
start page
87
end page
96
date of issued
2008-12-26
publisher
広島大学大学院教育学研究科
issn
1346-5554
ncid
SelfDOI
language
jpn
nii type
Departmental Bulletin Paper
HU type
Departmental Bulletin Papers
DCMI type
text
format
application/pdf
text version
publisher
department
Graduate School of Education
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