E・バークにおける詩画比較論とその美学的基礎 : 『崇高と美』の分析より
イギリス哲学研究 Volume 21
Page 21-35
published_at 1998
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| File | |
| Title ( jpn ) |
E・バークにおける詩画比較論とその美学的基礎 : 『崇高と美』の分析より
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| Title ( eng ) |
Edmund Burke's parallel of poetry and painting and the background of his aesthetics ; From an analysis of A Philosphical Enquiry
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| Creator | |
| Source Title |
イギリス哲学研究
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| Volume | 21 |
| Start Page | 21 |
| End Page | 35 |
| Abstract |
The purpus of this paper is two:One is to reveal Burke's aesthetics based upon the double character of both 'imagination' and 'imitation', giving attention to his parallel of poetry and painting. The other is to point out that 'obscurity' and 'terror' are the prime and coherent ideas closely related to the Sublime, resulting in his view of the superiority of poetry to paining. I will demonstrate the true image of young Burke in A Philosphical Enquiry (1757)
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| NDC |
The arts. Fine arts [ 700 ]
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| Language |
jpn
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| Resource Type | journal article |
| Publisher |
日本イギリス哲学会
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| Date of Issued | 1998 |
| Rights |
Copyright (c) 1998 by Author
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| Publish Type | Version of Record |
| Access Rights | open access |
| Source Identifier |
[ISSN] 0387-7450
[NCID] AN00013859
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