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ID 46557
本文ファイル
別タイトル
Expressions of Emotion in Abstract Expressionist Painting: Rothko, Newman, and Still <Articles>
著者
大島 徹也 大学院総合科学研究科 広大研究者総覧
NDC
絵画
抄録(英)
The Abstract Expressionists created the visual language of post-Cubism, through which they aimed to paint their subjects in a new way. The Second World War brought to the world the sense that human existence was in crisis; against this backdrop, many of these painters were particularly concerned with depicting human emotions.
Thus Rothko achieved "painting as emotion itself," so to speak. In contrast, Newman sought to transcend the material dimension of painting and express emotions on a metaphysical level. Meanwhile, Still saw each of his paintings as "an entry in a journal"; for him, painting was always "a life statement." What is more, these three leading Abstract Expressionists each hoped to adequately convey the emotions he expressed to the viewer in his own manner, which was closely connected to the nature of his paintings, as described above.
This paper therefore sheds light on aspects of emotional expression in Abstract Expressionist painting.
内容記述
本論は、第六八回美学会全国大会のシンポジウム「藝術と感情」(二〇一七年十月八日、國學院大學)での筆者の発表「抽象表現主義芸術と感情-ロスコ、ニューマン、スティルを中心に」に基づくものである。
掲載誌名
藝術研究
31号
開始ページ
1
終了ページ
18
出版年月日
2018-07-27
出版者
広島芸術学会
ISSN
0914-9872
NCID
言語
日本語
NII資源タイプ
学術雑誌論文
広大資料タイプ
学術雑誌論文
DCMIタイプ
text
フォーマット
application/pdf
著者版フラグ
publisher
権利情報
Copyright (c) 2018 by Author
部局名
総合科学研究科